July
25, 2021
On
Something That Is Hardly New and Rather Natural
On April 12, 1922, a jury, after just five minutes of deliberation, returned a not-guilty verdict in the case charging comedian Fatty Arbuckle with the rape and murder of Virginia Rappe. During four of those minutes, the jury produced a note proclaiming the following: Acquittal is not enough for Roscoe Arbuckle. We feel that a great injustice has been done to him … there was not the slightest proof adduced to connect him in any way with the commission of a crime. He was manly throughout the case and told a straightforward story which we all believe. We wish him success and hope that the American people will take the judgment of fourteen men and women that Roscoe Arbuckle is entirely innocent and free from all blame. Not everyone shared these generous sentiments.
Much has been written about the
Arbuckle case in the years that followed, much of it favorable to Arbuckle and,
more recently, some seeking to restore Rappe’s good name. This article is not
about which side should win that debate. Rather, it is to point out the
historical trait of “cancellation,” as it is commonly called today. Arbuckle
was cancelled, first by an industry whose executives no longer had confidence
in his ability to attract an audience, and second, by the public, none of whom
took to the streets demanding that Arbuckle be allowed to return to the silver
screen. For right or wrong, they simply moved on.
Throughout history, this has
happened numerous times. People have risen to become presidents and world
leaders only later to be reduced to footnotes in history. Rulers have been revolutionaries
in their lifetimes, but tyrants after their deaths. Singers and music groups have
sold millions of albums at the height of their careers, and then reduced to
one-hit wonders in the next. Professional athletes have been touted as role
models to fathers, yet villains to their sons, while once incredibly influential
books have become regarded as problematic.
And if we’re honest with
ourselves, we have to admit that this is the way it should be. Every generation
decides who it wants to hold up as a hero and role model, just as every
generation decides who it doesn’t want to praise or support. Earlier generations
saw nothing wrong with naming high schools after Robert E. Lee and Andrew
Jackson. Their upbringing had taught them to see these men in a positive light.
Later generations, however, saw history differently and openly questioned
whether these were indeed honorable people. Similarly, moviegoers during the
silent and early sound years thought it natural to cast Caucasian actors in non-White
roles and even awarded some of them with Academy Awards for their work; later
generations have been appalled by the sight of these actors in Yellowface or artificially
darkened skin and openly debated whether the offending movies should continue
to be watched.
This constant re-evaluation is
part of the normal evolutionary process. As we have grown over successive
centuries, we have strived to improve, to be more decent to each other, and to
leave the world a better place than it was when we inherited it. We sought
freedom, religious rights, and educational opportunities even as we sometimes
denied those things to every resident. We told our children stories about
heroes and villains while elevating some rather imperfect people to the status
of icons. And we gifted talented entertainers both money and fame in exchange
for making our lives just a little bit more enjoyable without ever inquiring as
to their moral character. It is the right of successive generations to correct
these wrongs.
So statues and flags fall, sports
teams change their names, once beloved TV actors become pariahs, and movies
become harder to see. The saintly become less so, the wicked perhaps more
sympathetic. A word takes on a new connotation, which another is reclaimed. In
some cases, a person’s whole record becomes more important than an individual
act, just as a single act of another person is deemed to be so egregious as to
wipe out all of that person’s positive deeds. It is all part of the natural
flow of time, reflecting the ever-changing landscape of the human conscience.
Cancel culture is, thus, nothing
new. It is evidence of a genetic manifest destiny, an inherent drive to create
that elusive Utopian state. It is a process that is ultimately destined to yield
disappointment, as there is no agreement as what constitutes paradise. Therefore,
the process can be both painful and liberating, and there will inevitably be
injustices along the way. However, as the old saying goes, time heals all wounds. One generation’s pain can be another’s pleasure. Just look at Fatty
Arbuckle. Enter his name on Amazon, and 74 entries come up. It seems he’s been un-cancelled.
On April 12, 1922, a jury, after just five minutes of deliberation, returned a not-guilty verdict in the case charging comedian Fatty Arbuckle with the rape and murder of Virginia Rappe. During four of those minutes, the jury produced a note proclaiming the following: Acquittal is not enough for Roscoe Arbuckle. We feel that a great injustice has been done to him … there was not the slightest proof adduced to connect him in any way with the commission of a crime. He was manly throughout the case and told a straightforward story which we all believe. We wish him success and hope that the American people will take the judgment of fourteen men and women that Roscoe Arbuckle is entirely innocent and free from all blame. Not everyone shared these generous sentiments.
No comments:
Post a Comment