June 15, 2017
Poor Little Rich Girl,
The – US, 1917
Maurice Tourneur’s The
Poor Little Rich Girl is about a sweet young girl named Gwendolyn (Mary
Pickford) whose parents neglect her. Her father is too busy making money – or trying
to at least - to give his daughter much more than a passing thought, and her
mother seems to believe that her social life comes before her child. In fact,
this character is so thoughtless that at one point in the film, she celebrates
Gwendolyn’s eleventh birthday, but “forgets” to invite Gwendolyn. In another
memorable moment, we see Gwendolyn sitting anxiously waiting for her mother to
arrive. Her mother, it seems, promised her “a minute” of her day, and she keeps
her word - literally.
In their extreme carelessness, Gwendolyn’s parents leave the
job of parenting to the servants, and they could not be any different from
those that graced the pages of Little
Orphan Annie or danced to Annie’s arrival in either of the comic’s film
adaptations. Rather, all but one of them go through their days with nary a
smile or laugh, and frowns greet Gwendolyn practically every time she looks in
their direction. Perhaps most disturbing is the amount of shaking they do.
Their idea of discipline is to place restrictions on every aspect of Gwendolyn’s
life, and when she goes against their tyranny, to shake, scare, and shame her.
It is a child’s nightmare.
In a more honest movie, Gwendolyn would suffer from
depression and have a number of angry outbursts, perhaps designed to get the
attention of her intentionally oblivious parents. However, in The Poor Little Rich Girl, Gwendolyn
remains relatively chipper and upbeat in circumstances that would overwhelm many
of the most well adjusted children. Gwendolyn often rubs her mistreatment off,
smiles infectiously, and finds a way to turn negatives into positives. A few
times she even finds a way to play with some of the neighborhood children, even
though it is strictly forbidden. It is a fairy tale version of a horrendous
scenario, and, filmed today, I have no doubt that The Poor Little Rich Girl would look remarkably different.
And yet, the film is still immensely watchable, and the
credit for that should go to Pickford. Known at the height of her fame as
America’s Sweetheart, Pickford is widely considered to be the first female
international superstar, and all of her talents are on display here. She has a
natural sweetness that draws audiences in and reassures them that there is
goodness and decency in the world. Pickford’s Gwendolyn is not rebellious or
conceited, she doesn’t lash out at the adults who lash out at her, and her
motivation is something that everyone can relate to. After all, what human
being can’t relate to a film that presents children as just wanting a better
relationship with their parents? Gwendolyn does not challenge the family hierarchy
– she reinforces it, and even when the film turns slightly dark towards the end,
it does so in a way that will invite children’s awe and wonderment, not
frighten or startle them.
The Poor Little Rich
Girl is a product of its time, a safe, unchallenging look at childhood that
takes no chances and presents no obstacles to viewers. And as such, it has
likely lost some of what once made it so beloved. After all, ours is a culture
that has embraced slightly darker versions of reality. Personally, I found the
film immensely watchable, yet was surprised to learn that it was selected to
the National Film Registry by the Library of Congress in 1991. Not pleasantly
surprised, mind you. It’s more like looking at a list of the best films of all
time and seeing one on it that makes you do a double take. You know, the kind
that makes you immediately think of all of the other films by a director or
starring a legendary performer that they could have chosen. You understand the
sentiment, yet question the selection. The
Poor Little Rich Girl is one of those films, good, but I’m pretty sure that
Pickford made much better ones. (on DVD and part of Milestone’s Mary Pickford Rags and Riches Collection)
3 stars
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