July 3, 2014
Flying Deuces, The -
US, 1939
Following their 1938 film Block-Heads, both Stan Laurel’s and Oliver Hardy’s contracts with
Hal Roach were allowed to expire, and in the interim between that film and the
signing of a new contract with Roach, the two hopped over to RKO and made The Flying Deuces, an immensely popular
film that saw the comedy team once again joining the French Foreign Legion. This
was apparently a common theme in movies, for, according to IMDB, there were around
34 American films that in some way involved the Legion prior to The Flying Deuces. It is somewhat
telling that many of these films – both the comedies and the dramas - did not
present the Legion in the most flattering of lights. In fact, some of the
protagonists in these films seem to suffer more at the hands of their
commanders than their enemies. It should come as no shock then that the
officers in The Flying Deuces don’t
fare much better. After all, a Laurel & Hardy film must have someone for
the pair to match wits with, and who better than an overbearing commander hell
bent on punishing them for their decidedly unsoldier-like behavior?
The Flying Deuces
finds Laurel and Hardy on holiday in France. Their vacation is almost over, and
Stan seems more than ready to head back home and resume his job at a fish
market. Oliver, however, has other ideas. Having been struck by Cupid’s arrow,
he announces his intention to marry a young French hotel employee whom he has
become absolutely smitten with. Unfortunately for him, the young lady is
already spoken for. So what’s a foreigner in France to do when he finds himself
depressed and heartbroken? Why, join the Foreign Legion of course because
apparently nothing cures a broken heart like marching for hours at a time,
undergoing the rigors of basic training, and hearing “Taps” at the end of each day.
It is often remarked that in a Laurel & Hardy film, much
like one starring the Marx Brothers, the individual pieces are often of greater
significance than the whole. In other words, the plot serves as a catalyst for creating
short snippets of situation comedy, and these moments often have very little
to do with what comes afterwards. The
Flying Deuces is a bit of an outlier in this regard, for it does indeed have more narrative cohesion than some
of their earlier films. Fortunately for viewers, it also contains its fair
share of priceless comic moments. There is a effective running gag involving Stan
hitting his head on the wall of his room, as well as a very humorous bit in
which the two of them are assigned laundry duty and the audience gets to see
just how much cleaning this actually entails. Also memorable are Stan Laurel’s
frequent verbal blunders. In one unforgettable one, he explains his feelings
about flying by saying he prefers to remain on the “good old terra cotta.” Cute.
And perhaps only Laurel and Hardy could get away with using the most famous line
from Charles Dickens' A Tale of Two Cities
in the way that they do.
At just 65 minutes long, The
Flying Deuces is remarkably well paced, save for a scene at the end that
goes on a little too long. Director A. Edward Sutherland gets good performances
from the film’s supporting cast, including Laurel and Hardy staple James
Finlayson, as well as Jean Parker as Georgette, the woman who breaks Hardy’s
heart, and Reginald Gardner, who plays her overly jealous husband. As for
Laurel and Hardy themselves, they are at the top of their game, displaying
impeccable comic timing and delivering lines that are hilarious in extremely
sophisticated ways. The film is one of their best, and it is not hard to see
why it was such a smash hit. (on DVD)
4 stars
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